Battles for Hearts and Minds: The Nogent Mosque during World War I
The Nogent mosque functioned primarily as a spectacle of Orientalism for the French public and a sign of French paternalism towards its colonial soldiers. It was decorated with carpets on loan from the Louvre, a lantern from Morocco’s governor general, and a mihrab from the Sultan of Morocco. In a series of photographs later turned into postcards, a member of the once-revolutionary Mokhrani family of Algeria poses with wounded soldiers. Archival documentation indicates that the postcards figure within the French Army’s propaganda campaigns not only to soldiers but also to colonial administrators and subjects in French North Africa. The Nogent mosque thus figures within longer histories of Orientalist architecture, colonial exhibitions, and wartime propaganda. As a sign of Islam that circulated among multiple publics, the Nogent mosque is situated with the evolving dialectics of colonialism and republicanism: primitivist objectification, modernist utilitarianism, and contested citizenship.
