We Are Our Future Ancestors: Exploring Speculative Histories and Futures
1) Fighting as Form: an overview of the work of transnational lesbian artist, activist, photojournalist, and documentary photographer Diana Solis. Primarily photographing between 1970–90, her pictures present a rich and previously unseen view of Mexican life in Chicago. She documented feminist organizing and community building in the United States and Mexico, including the formative years of Mujeres Latinas en Accion, Latino Youth, Chicago Pride, and Encuentro Femenil.
2) Future Communities: How do young people understand themselves in context or imagine their ideas and cultural production relative to that of people who came before them when this history is largely absent? How do they know what comes next when they do not know what happened in the past? Young artists were asked to envision radical histories and imagine speculative futures using collage, performances, and public interventions. What opportunities arise when we regard the community as our text and people as our archive?
