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Subversive and Esoteric Modernisms: Recalibrating Vision and Audition, 1875–1955




Organizer:
Theresa A. Cunningham,Philadelphia Museum of Art - tac261@psu.edu

Distinctions in Scale: Camille Pissarro's Place du Théâtre Français Series
Theresa A. Cunningham, Philadelphia Museum of Art
Eugenics and the New Man in Modern Art Pedagogy: The Mazdaznan Movement at the Bauhaus
Colette L. Walker, Graduate Theological Union
On the Origins of Détournement: Guy Debord’s Affinity for the Methods of Isidore Ducasse
Gerald Hartnett, State University of New York Stony Brook
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