Copyright: Images, Open Access, and Fair Use for Artists and Art Historians

Affiliated Society or Committee Name: Committee on Intellectual Property
I. Introduction and Resources:

The workshop will begin with a brief overview of the basic foundations of copyright law including the rationale behind these concepts, specifically as they relate to artists and art historians.

II. Application:

The facilitator will introduce three “real-life” copyright case studies that artists and art historians generally encounter in the professional context and identify available resources to navigate typical challenges. Through problem-solving and guided discussion, the participants will apply these resources, in addition to their own personal experience, to the case studies and develop a “tool box” of copyright-related strategies.

Case Study #1: What qualifies as a “fair use?”

  • What are the four factors of fair use?
  • How does the flexibility of the fair use doctrine apply to different environments, technologies, and uses

Case Study #2: What is “open access?”

  • What does open access mean?
  • How can I identify images that are open access?
  • How should I attribute open access images?

Case Study #3: What are the boundaries of fair use and open access in the international context?

  • What is the difference between fair use and fair dealing?
  • What impact will the new EU Copyright Directive have on open access and image fees?
  • What are some best practices for creating a cross-border digital images project?

III. Conclusion:

This part of the workshop will highlight the similar challenges across the three case studies and identify key takeaways that the attendees can use in their own professional work.



Workshop Leader:
Emily Lanza - emilyla8@gmail.com