Significance of the aural dimension of Melville’s oeuvre: soundscapes; sound/music vs. noise; inarticulateness; (dis)harmony; sound and (racial, sexual, cognitive) difference; noise as resistance. 200-word abstracts and CVs to Pilar Martínez Benedí (p.martinezbenedi@gmail.com) by March 5th.
Deadline for submissions: Tuesday, 5 March 2024