We Got the Guillotine: A Panel on Boots Riley

Following the May release of “I Love Boosters,” this session critically examines Boots Riley’s ouevre. Papers might address Riley’s treatment of strike politics, Marxism, big tech, or the role of visual culture in social struggle.

Deadline for submissions: Wednesday, July 15, 2026

Isabel Ortiz, Amherst College (isabelortiz@amherst.edu )