This panel may be viewed as a complement to the guaranteed session, "Border Crossings in Early Modern England." At the same time this panel differs from "Border Crossings" in significant ways. Whereas "Border Crossings" focuses on Shakespeare and Shakespearean afterlives, "Crossing Borders" is non-Shakespearean, and in that sense less canonical, in nature. Moreover, the papers in this proposed panel aim at interrogating concepts of citizenship and belonging in the context of early modern migrations even as our own historical juncture examines concepts like birthright citizenship and the status of refugees.
Tonhi Lee’s paper provides a novel reading of Sir Thomas More’s Utopia while also considering the way “migration constitutes an alternative and largely unexplored category of political action.” Examining the boy actor in Francis Beaumont’s Knight of the Burning Pestle, Casey Caldwell notes the way the boy is framed as a “stranger,” thus opening up a vital discussion of crossing generes and geopolitical borders. James Sutton rounds out this discussion with reflections on exile as a way of being in the early modern and modern world.
While distinct, this session complements and deepen the discussion in the guaranteed session. And these two sessions together importantly bring together scholars at different stages in their careers: Chamberlain is recently retired; Espinosa is a full professor; Vomero Santos and Sutton are associate professors; Lee is an assistant professor; Caldwell and Kello are contingent faculty. It seems important to traverse these hierarchical boundaries to foster connections across ranks.