Foundational Shifts
I came to photography through painting from family photographs; more specifically my interest lay in the gaps between the images we keep, what they don’t show or tell their viewers about those pictured. When I found the camera, I was able to focus with great detail on things cast aside, with a physical disrepair that has resonance with our own bodies.
Throughout my practice, I have found that what propels shifts in my work has as much to do with changes in the spaces in which it is made as much as any life change.
Moving from studio to studio, studio to residency, or my studio to my darkroom, provide me the opportunity to see things anew and to contend with the both limits and possibilities of the space itself: scale, the availability of natural light, free flowing or static air, have played as much a part in the making of my work as anything.
