Portraits of Unbelonging: Photography, Mobility and Nationality

Thursday, February 15, 2024: 11:40 AM
Williford C (Hilton Chicago)
Zeynep Gursel
This paper draws from a multi-year project, Portraits of Unbelonging, examining one of the first uses of photographs to police borders of nations and empires. It studies the history of Ottoman Armenian emigration from the Ottoman east to the United States from the politically fraught and often violent 1890s to the end of Abdülhamid II's reign in 1909. The larger project asks: How has photography policed borders and differences? How do photography and statecraft intersect in the making and unmaking of citizens? Portraits of Unbelonging is a double-sided history of migration, examining one of the first uses of photographs to police borders. It studies the history of Ottoman Armenian emigration from the Ottoman east to the United States from the politically fraught and often violent 1890s to the end of Abdülhamid II's reign in 1909.

Like each individual terk-i tabiiyet photograph, an official portrait used in Ottoman expatriation for emigration, the project faces two directions; it links an Ottoman past to an American future. This paper focuses on why Ottoman Armenian subjects' potential return to the empire needed to be policed and prevented through photography. In particular, what does it mean to photograph subjects in relation not to the present or the future but to the peculiar temporal frame of never?