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Trauma is endemic in modern society and art has always played a vital role in testifying to its presence and aiding in recovery. Artists have used their work to address and confront traumatic experiences, including war, genocide, racialized violence, ecological disasters, and personal trauma—among other forms. How should museums contextualize and display such art? Moreover, what, if any, role do museums play in the acknowledgement and negotiation of trauma and post-traumatic recovery? This session invites papers on trauma and its resolution within museums and museum practices. Papers may investigate how museums, somewhat paradoxically, are the loci of trauma but also sites of potential reconciliation through truth-telling, collaboration, and empowerment. The panel welcomes case studies of how museums have utilized institutional critiques, decolonial practices, and community engagement in order to acknowledge and redress harmful practices at the core of these colonial institutions. Some case studies may be successes, and some may not. Additionally, papers that integrate a theoretical analysis of how trauma operates within collection and display practices are of particular interest. Finally, scholars and museum professionals are welcome to submit practicum reports on trauma-informed practices that have cultivated culturally sensitive and agile programming while also repairing and forging new community relationships built on mutual trust and respect.