Embedded Materiality: Decorative Inlay in Asian Lacquer

Lacquer has long been valued for its decorative sheen and glossy surface which elevated the status of objects, their functionality and aesthetic appeal across Asia and beyond, to the markets of Europe and the colonial world. While historical studies have focussed on the surface properties of lacquer, this panel seeks papers which explore the role of inlay - in shell, silver and gold wirework, coral and other natural materials - in transmitting design innovations throughout Asia, reflecting patterns of intraregional trade, the movement of natural resources and the role of lacquer as a vehicle for design transfer.

The materiality of inlaid lacquer, frequently incorporating precious and at times exotic materials, spoke of access to a diverse array of natural resources on land and sea, procured through a complex web of trade and diplomacy. As distinctive regional styles and specialisms emerged, so too did sophisticated methods of manufacture which drew upon long established and ancient traditions. Decorative themes and design compositions responded to and reflected contemporary trends in the pictorial arts, printing and book culture as well as ornamental patterns and motifs found in textiles, decorative carvings and metalwork, highlighting the intermediality of such objects. Luxury items were produced not only for elite use but can be found in Buddhist contexts, connecting religious communities and practise throughout the region.

This panel explores topics which interrogate the role of inlaid lacquer from a range of interdisciplinary approaches and emphasising inter-Asian connections.