Connectivity and Complexity in Central Asia: Art Historical Approaches to History

Session will present: On location

Despite well-acknowledged links between Central Asia and other global regions, in-depth explorations of these connections remain rare. The interconnectedness of the region with other cultures and regions is seldom explored comprehensively by art and architectural historians. Meanwhile, the disconnection of the region is often theorized as symptomatic of prolonged political and economic decline. Narratives focusing on marginalized ethnic groups, artists, and their artistic products also urgently need more research.

We welcome papers that address both the connectivity and disconnections within this region, utilizing art historical methods as explanatory tools. Submissions that focus on marginalized ethnic groups, artists, and their artistic products are particularly encouraged, addressing this critical research gap. Potential topics include but not limited to the mechanisms of cultural and artistic exchange between Central Asia and other regions; the impact of political and social changes on artistic production and architectural development; case studies of marginalized groups and their contributions to Central Asian art and architecture; reimagining Central Asian art history through novel sources and methodologies.

Through this panel, we aim to foster dynamic discourse among scholars pioneering new epistemological and methodological approaches to understanding Central Asia's cultural landscapes. We encourage submissions from underrepresented scholars and non-Western academic traditions.


Keywords:
1. Geographica Area: Central and North Asia
Topics: Global
Topics: Islamic
Topics: Architecture/Architectural History
Topics: Art History

Chair:
Dilrabo Tosheva, Harvard University

Discussant:
Jaimee Comstock-Skipp

Abstract Submissions Closed