Expanding Archives: Drawing, Documentation, and Democratic Impulse

Session will present: On location

Marking the archival turn with “An Archival Impulse” in 2004, Hal Foster defined archival art as that which is, among other things, “drawn to unfulfilled beginnings or incomplete projects—in art and in history alike—that might offer points of departure again.” Picking up on the incomplete or fragmented nature of archives, artists reflect back on the human process of translating the past into the future, or transforming physical objects into works on paper, while addressing systems of documentation and indexing.

The point of departure for this session is the launch of the Speculative Index, a material and digital expansion of the Index of American Design (IAD). As a federal work-relief program that employed around 1,000 artists between 1936 to 1942, the highest achievement of the IAD, according to critic Louis Filler in 1952, was “the democratic shock of recognition experienced by a cross-section of Americans employed on the Project.” The main output of the original IAD program are 18,980 drawings at the National Gallery of Art documenting a range of objects, from folk art and family heirlooms to fashion and furniture. Expanding on the IAD, the Speculative Index is an interdisciplinary curriculum, communal history project, and design democracy piloted in 2023 at the Corcoran School of Art and Design at the George Washington University.

We invite artists and art instructors, historians, and professionals engaging with archival and museum collections in their practice to give presentations addressing the “democratic impulse” of their work.


Keywords:
Topics: Art Practice
Topics: Design Practice
Topics: Library and Archival Studies
Topics: Social Practice
Topics: Contemporary

Chairs:
Kara Braciale, Corcoran School of the Arts & Design and Matthew J Westerby, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington

Voluspa Jarpa and the Archival Turn: A Politics of Resistance
Adriana Miramontes Olivas, Jordan Schnitzer Museum of Art, University of Oregon
Archiving Political Resistance - Woman Life Freedom
Neda Moridpour, Louder Than Words
The Legibility of the Stack, Artists in the Archive
Meg Rotzel, Harvard Radcliffe Institute for Advanced Study
Model Plants, Modelling and Memory
Sonia Ralston, Northeastern University
Abstract Submissions Closed